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An eternal vision of brotherhood is shaped by \u003cstrong\u003eOtto Meyer-Amden\u003c\/strong\u003e. \u003cstrong\u003eUdo Kittelmann\u003c\/strong\u003e passionately presents his collection of \u003cstrong\u003eMargarete Heymann-Loebenstein\u003c\/strong\u003e ceramics. The monomymous \u003cstrong\u003eMeuser\u003c\/strong\u003e talks heavy metal. \u003cstrong\u003eJarrett Earnest\u003c\/strong\u003e writes an ode to “Satyricon” from Fire Island. And \u003cstrong\u003eMarkus Lüpertz\u003c\/strong\u003e discusses the perfect academy with \u003cstrong\u003eNils Emmerichs\u003c\/strong\u003e and \u003cstrong\u003eCornelius Tittel\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eOther highlights include: \u003cstrong\u003eLeila Hekmat\u003c\/strong\u003e on Peter Greenaway, \u003cstrong\u003eSlavoj Žižek\u003c\/strong\u003e announcing that Tristan dies without Isolde, \u003cstrong\u003eClaes Juhlin\u003c\/strong\u003e on the Hollywood Hills home of Barry Lowen, \u003cstrong\u003eUlf Poschardt\u003c\/strong\u003e on the Ferrari 250 GT “Tour de France,” and, at the back, a particularly lively Charts.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglish language; 23.3 x 28.0 cm (paperback); 220 pages (color illustrations)\u003c\/em\u003e\u003c\/p\u003e","brand":"BLAU INTERNATIONAL","offers":[{"title":"Default Title","offer_id":52448901890315,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8835\/5997\/files\/BLAU-No13_Cover_Victor-Man_300dpi.jpg?v=1759852516"},{"product_id":"blau-international-no-13-cai-guo-qiang-cover","title":"Blau International No. 13 – Cai Guo-Qiang Cover","description":"\u003cp class=\"\"\u003eIn No. 13, \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eCai Guo-Qiang\u003c\/strong\u003e gives an explosive exclusive to \u003cstrong\u003eFrank Rose\u003c\/strong\u003e. \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eVictor Man\u003c\/strong\u003e spends a few quiet days in Cluj with \u003cstrong\u003eCornelius Tittel\u003c\/strong\u003e. At once the most famous and least known of great American artists, \u003cstrong\u003eAndrew Wyeth\u003c\/strong\u003e is saluted by \u003cstrong\u003eAndrew Winer\u003c\/strong\u003e. \u003cstrong\u003eCharline von Heyl\u003c\/strong\u003e gets to the point of painting with \u003cstrong\u003eMax Dax\u003c\/strong\u003e. Ushering in an age of innocence, \u003cstrong\u003eJulie Greve\u003c\/strong\u003e collaborates with \u003cstrong\u003eMarie Chaix\u003c\/strong\u003e. \u003cstrong\u003eHans Joachim-Müller\u003c\/strong\u003e holds a vigil for \u003cstrong\u003eFrantišek Kupka\u003c\/strong\u003e. And the Antwerp studio of \u003cstrong\u003eBendt Eyckermans\u003c\/strong\u003e is photographed by \u003cstrong\u003eFrançois Halard\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eThen, Andrew Winer introduces us to \u003cstrong\u003eGrant Falardeau\u003c\/strong\u003e, an emerging LA sculptor who makes characters who make us human. An eternal vision of brotherhood is shaped by \u003cstrong\u003eOtto Meyer-Amden\u003c\/strong\u003e. \u003cstrong\u003eUdo Kittelmann\u003c\/strong\u003e passionately presents his collection of \u003cstrong\u003eMargarete Heymann-Loebenstein\u003c\/strong\u003e ceramics. The monomymous \u003cstrong\u003eMeuser\u003c\/strong\u003e talks heavy metal. \u003cstrong\u003eJarrett Earnest\u003c\/strong\u003e writes an ode to “Satyricon” from Fire Island. And \u003cstrong\u003eMarkus Lüpertz\u003c\/strong\u003e discusses the perfect academy with \u003cstrong\u003eNils Emmerichs\u003c\/strong\u003e and \u003cstrong\u003eCornelius Tittel\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eOther highlights include: \u003cstrong\u003eLeila Hekmat\u003c\/strong\u003e on Peter Greenaway, \u003cstrong\u003eSlavoj Žižek\u003c\/strong\u003e announcing that Tristan dies without Isolde, \u003cstrong\u003eClaes Juhlin\u003c\/strong\u003e on the Hollywood Hills home of Barry Lowen, \u003cstrong\u003eUlf Poschardt\u003c\/strong\u003e on the Ferrari 250 GT “Tour de France,” and, at the back, a particularly lively Charts.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglish language; 23.3 x 28.0 cm (paperback); 220 pages (color illustrations)\u003c\/em\u003e\u003c\/p\u003e","brand":"BLAU INTERNATIONAL","offers":[{"title":"Default Title","offer_id":52534741303563,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8835\/5997\/files\/BLAU-No13_Cover_300dpi_Cai-Guo-Qiang.jpg?v=1761667266"},{"product_id":"blau-international-no-14-bruce-nauman-cover","title":"Blau International No. 14 – Bruce Nauman Cover","description":"\u003cp class=\"\"\u003eIn the new issue, \u003cstrong\u003eBruce Nauman\u003c\/strong\u003e has a rare audience with Andrew Winer. Questioning everything, \u003cstrong\u003eMichaela Eichwald \u003c\/strong\u003eis questioned by \u003cstrong\u003eAlbert Oehlen\u003c\/strong\u003e. \u003cstrong\u003eDavid Salle\u003c\/strong\u003e remembers the precise moment \u003cstrong\u003eJulian Schnabel\u003c\/strong\u003e broke the art world. \u003cstrong\u003eMax Hollein\u003c\/strong\u003e and \u003cstrong\u003eFrançois Halard \u003c\/strong\u003eguide us through the home and heart of \u003cstrong\u003eWalter Pichler\u003c\/strong\u003e’s sculpture. And \u003cstrong\u003eZurbarán\u003c\/strong\u003e’s long-lost world is brought close by Hans-Joachim Müller.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThen, \u003cstrong\u003eLorenzo Amos \u003c\/strong\u003easks if life is big and beautiful enough for him. \u003cstrong\u003eDorothea Tanning\u003c\/strong\u003e’s abstract adventures are plotted by scholar Alyce Mahon. \u003cstrong\u003eCharles Simonds\u003c\/strong\u003e, a street artist \u003cem\u003eavant la lettre\u003c\/em\u003e, shelters the little people, one dwelling at a time. \u003cstrong\u003eHorst Antes\u003c\/strong\u003e shares his collection of milk cans. \u003cstrong\u003eMarie Chaix \u003c\/strong\u003eand \u003cstrong\u003eColin Dodgson\u003c\/strong\u003e issue a call to prayer. \u003cstrong\u003eFlorian Illies\u003c\/strong\u003e surgically examines the New (and old) Objectivity. And Swiss collector \u003cstrong\u003eUli Sigg\u003c\/strong\u003e talks about the Chinese art market he set in motion. \u003c\/p\u003e\n\u003cp class=\"\"\u003eOther highlights include: \u003cstrong\u003eChristopher Rothko\u003c\/strong\u003e on his father, \u003cstrong\u003eMark Rothko\u003c\/strong\u003e. \u003cstrong\u003eIida Jonsson\u003c\/strong\u003e and \u003cstrong\u003eSsi Saarinen\u003c\/strong\u003e talk to Victoria Camblin. Claes Juhlin on the interior of Barbara Gladstone’s former Chelsea home. \u003cstrong\u003eYifan Jiang\u003c\/strong\u003e on Hu Bo. \u003cstrong\u003ePaul Smith\u003c\/strong\u003e on Frank Auerbach. Gesine Borcherdt on \u003cstrong\u003eWolfgang Hollegha\u003c\/strong\u003e. And Ulf Poschardt on the Ferrari Challenge Stradale. \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglish language; 23.3 x 28.0 cm (paperback); 220 pages (color illustrations)\u003c\/em\u003e\u003c\/p\u003e","brand":"BLAU INTERNATIONAL","offers":[{"title":"Default Title","offer_id":53045262352651,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8835\/5997\/files\/BLAU-No14_Cover300dpi_Bruce-Nauman.jpg?v=1776167073"},{"product_id":"pre-sale-blau-international-no-14-bruce-nauman-cover","title":"Blau International No. 14 – Lorenzo Amos Cover","description":"\u003cp class=\"\"\u003eIn the new issue, \u003cstrong\u003eLorenzo Amos \u003c\/strong\u003easks if life can be big and beautiful enough for him.  Questioning everything, \u003cstrong\u003eMichaela Eichwald \u003c\/strong\u003eis questioned by \u003cstrong\u003eAlbert Oehlen\u003c\/strong\u003e. \u003cstrong\u003eDavid Salle\u003c\/strong\u003e remembers the precise moment \u003cstrong\u003eJulian Schnabel\u003c\/strong\u003e broke the art world. \u003cstrong\u003eMax Hollein\u003c\/strong\u003e and \u003cstrong\u003eFrançois Halard \u003c\/strong\u003eguide us through the home and heart of \u003cstrong\u003eWalter Pichler\u003c\/strong\u003e’s sculpture. And \u003cstrong\u003eZurbarán\u003c\/strong\u003e’s long-lost world is brought close by Hans-Joachim Müller.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eThen, \u003cstrong\u003eBruce Nauman\u003c\/strong\u003e has a rare audience with Andrew Winer. \u003cstrong\u003eDorothea Tanning\u003c\/strong\u003e’s abstract adventures are plotted by scholar Alyce Mahon. \u003cstrong\u003eCharles Simonds\u003c\/strong\u003e, a street artist \u003cem\u003eavant la lettre\u003c\/em\u003e, shelters the little people, one dwelling at a time. \u003cstrong\u003eHorst Antes\u003c\/strong\u003e shares his collection of milk cans. \u003cstrong\u003eMarie Chaix \u003c\/strong\u003eand \u003cstrong\u003eColin Dodgson\u003c\/strong\u003e issue a call to prayer. \u003cstrong\u003eFlorian Illies\u003c\/strong\u003e surgically examines the New (and old) Objectivity. And Swiss collector \u003cstrong\u003eUli Sigg\u003c\/strong\u003e talks about the Chinese art market he set in motion. \u003c\/p\u003e\n\u003cp class=\"\"\u003eOther highlights include: \u003cstrong\u003eChristopher Rothko\u003c\/strong\u003e on his father, \u003cstrong\u003eMark Rothko\u003c\/strong\u003e. \u003cstrong\u003eIida Jonsson\u003c\/strong\u003e and \u003cstrong\u003eSsi Saarinen\u003c\/strong\u003e talk to Victoria Camblin. Claes Juhlin on the interior of Barbara Gladstone’s former Chelsea home. \u003cstrong\u003eYifan Jiang\u003c\/strong\u003e on Hu Bo. \u003cstrong\u003ePaul Smith\u003c\/strong\u003e on Frank Auerbach. Gesine Borcherdt on \u003cstrong\u003eWolfgang Hollegha\u003c\/strong\u003e. And Ulf Poschardt on the Ferrari Challenge Stradale. \u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnglish language; 23.3 x 28.0 cm (paperback); 220 pages (color illustrations)\u003c\/em\u003e\u003c\/p\u003e","brand":"BLAU INTERNATIONAL","offers":[{"title":"Default Title","offer_id":53045451522315,"sku":null,"price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/8835\/5997\/files\/BLAU-No14_Cover300dpi_Lorenzo-Amos.jpg?v=1776167073"}],"url":"https:\/\/blau-international.com\/collections\/blau-magazine.oembed","provider":"BLAU INTERNATIONAL","version":"1.0","type":"link"}